Articles

Taiwanese interdisciplinary artist Hong-Kai Wang creates collaborative situations in which musicians, composers, and audiences engage in productive listening. Through experimental modes of sonic sociality, she turns collective listening into a mode of political engagement. In 2013, Wang’s frequent collaborator Mattin wrote about her work for the 13th print issue of White Fungus, now available online.

Scott Arford is a key figure in the San Francisco Bay Area’s new media art scene. He creates total immersive synesthetic environments in which the perceptual and physical qualities of sound and light merge into a disorienting, ecstatic whole. Trained as an architect, Arford approaches space as a continuous sensory field. Marcella Faustini interviewed him for White Fungus.

White Fungus has released its 18th print issue. The new edition features an 80-page interview with Eileen Myles, a deep dive into Hilma af Klint and the occult roots of modern art, and a photo essay by Yao Jui-Chung on animatronic displays of hell from temples in Taiwan and Singapore, accompanied by a text on the Chinese conception of hell.

Brian Eno and Beatie Wolfe have released twin albums Lateral and Luminal on Verve Records. To mark the occasion, the duo partnered with KCRW on Feeling of the Day, a new series of radio spots exploring words for emotions with no equivalent in English. The first segment introduces “ailyak,” a Bulgarian word for the art of going slow and enjoying the process. Between studio sessions, Wolfe and Eno answered questions from White Fungus editor Ron Hanson about their evolving collaboration.

廖銘和（Dino）是台灣噪音音樂領域的先驅之一，該領域於1990年代戒嚴結束後興起。他拒絕使用合成器、取樣器和其他數位工具，而是通過簡單的類比設備生成的回授創作電子音樂。Dino熱愛傳統茶道，是一位篆刻家，同時也是古琴演奏者。2022年1月，Dino因食道癌併發症在台北去世。他不僅以藝術造詣被人銘記，也因其隱居的生活方式和獨特的神秘氣質而廣受懷念。顏峻回顧了他的生命與創作。

HH was an audio-visual duo formed by Taiwanese sound artists Yao Chung-Han and Yeh Ting-Hao in 2013. The duo was active in the Taiwanese experimental art and music scene until Yeh’s untimely passing in 2024. HH mined the gray area where noise, electronic dance music, and visual imagery meet, and interact. Jeph Lo wrote about the HH for the third issue of White Fungus’ sister publication The Subconscious Restaurant in late 2014. You can now read the article online.