July 11, 2011

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Tuesday 12 July
Larry’s/Petunia/mono.kultur triple launch @ Based in Berlin
start 7 pm
(+Djs)

Larry’s se7en

with: Dena Yago, Morag Keil, Michele Di Menna, Natascha Goldenberg, Martin Thacker, Alex Turgeon, Nicolas Ceccaldi, Maxwell Simmer, Carson Chan, Heji Shin, Daytona Bleach, Mathieu Malouf, Juliette Bonneviot, Dan Bodan, Kayla Guthrie, Valentina Liernur

http://larrys.eu/

PETUNIA #3

with: Katarina Burin, Frances Stark, Laetitia Paviani, Lina Viste Gronli, Nana Oforiatta Ayim, Géraldine Gourbe, Dorothée Dupuis, Emmanuelle Lainé, Clara Meister, Kitty Kraus, Lili Reynaud Dewar, Kathy Acker, Fiona Jardine, bell hooks, Mathieu Kleyebe Abonnenc, Sisters of Jam, Spartacus Chetwynd, Elizabeth Diller.

http://petunia.eu/

mono.kultur #27

Ryan McGinley: Daydreaming
“I love the idea of the unexpected.”

http://www.mono-kultur.com/

07.06-24.07.2011
Pro qm/Motto @ Based in Berlin
Atelierhaus Monbijoupark
Oranienburger Str. 77
10178 Berlin
Open daily from 12-9pm

June 17, 2011

NewIdeas MusicSeries X
Sunday June 19th, 2011 / 7PM
158 Ludlow Street @ Pianos
Free

Phill Niblock
solo music + films
8:15 PM

Michael Vincent Waller
performing:
7:20 PM

Late Winter (2009)
for overtone-percussion duo
w. Grady Gerbracht
circa 16 mins

Dryb (2011)
for tenor sax + tape
w. Sabir Mateen
circa 12 mins

Rumble (2011)
for guitar duo + tape
w. James Ross
circa 12 mins

Early 7PM in Main Showroom downstairs
Concert will start on time and end by 9:15pm

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Phill Niblock is a New York-based minimalist composer and multi-media
musician and director of Experimental Intermedia, a foundation born in
the flames of 1968′s barricade-hopping. He has been a maverick
presence on the fringes of the avant garde ever since. In the history
books Niblock is the forgotten Minimalist. That’s as maybe: no one
ever said the history books were infallible anyway.

His influence has had more impact on younger composers such as Susan
Stenger, Lois V Vierk, David First, and Glenn Branca. He’s even worked
with Sonic Youth’s Thurston Moore and Lee Renaldo on “Guitar two, for
four” which is actually for five guitarists. This is Minimalism in the
classic sense of the word, if that makes sense. Niblock constructs big
24-track digitally-processed monolithic microtonal drones. The result
is sound without melody or rhythm. Movement is slow, geologically
slow. Changes are almost imperceptible, and his music has a tendency
of creeping up on you. The vocal pieces are like some of Ligeti’s
choral works, but a little more phased. And this isn’t choral work. “A
Y U (as yet untitled)” is sampled from just one voice, the baritone
Thomas Buckner. The results are pitch shifted and processed intense
drones, one live and one studio edited. Unlike Ligeti, this isn’t just
for voice or hurdy gurdy. Like Stockhausen’s electronic pieces,
Musique Concrete, or even Fripp and Eno’s No Pussyfooting, the role of
the producer/composer in “Hurdy Hurry” and “A Y U” is just as
important as the role of the performer. He says: “What I am doing with
my music is to produce something without rhythm or melody, by using
many microtones that cause movements very, very slowly.” The stills in
the booklet are from slides taken in China, while Niblock was making
films which are painstaking studies of manual labour, giving a poetic
dignity to sheer gruelling slog of fishermen at work, rice-planters,
log-splitters, water-hole dredgers and other back-breaking toilers.
Since 1968 Phill has also put on over 1000 concerts in his loft space,
including Ryoji Ikeda, Zbigniew Karkowski, Jim O’Rourke.

http://phillniblock.com/

Michael Vincent Waller is a New York City based composer and visual
artist, studying composition and performance with La Monte Young and
Marian Zazeela. This has provided a beautiful inspiration to a focus
on modal, drone, and electronic means. The deep intrinsic experience
of involving overtones is the essence of his canvas of acousmatique
and spectral composition. Michael endorses the phenomenologist
approach to sound as his “central attitude” and manual for being. His
music has been performed by Sean G. Meehan, Tom Chiu, Matthew Welch,
David Watson, Alex Waterman, Ha-Yang Kim, St. Luke’s Trombone Quartet,
Cadillac Moon Ensemble, Daniel Panner, Yvonne Troxler, Gregor Kitzis,
Sabir Mateen, Christine Bard, Erica Dicker, Michael Seltzer, Benjamin
Herrington, Elizabeth Hoffman, Tucker Dulin and Andrew Lafkas – at
venues ISSUE Project Room, Diapason Sound Gallery, Tenri Cultural
Institute, Paris London West Nile, Port d’ Or, Glasslands, and The
Living Theatre.

http://www.michaelvincentwaller.com/

June 4, 2011

Image: Hye Rim Lee Suck My Tit

June 4, 2011

1/
03.06.2011
Start: 18.00
King Hamburger Eyes – Launch at Motto Berlin

After multiple journeys excavating the mysteries of the universe, Hamburger Eyes (HE) looks to explore even further. Building on a history of independence and collaboration through mind altering magazines and exhibitions, HE is pleased to introduce the newest chapter to accommodate even more publishing needs: King Hamburger Eyes (KHE).
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This new exploration will regularly publish limited edition zines, magazines, prints, and books by featured photographers.

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The official launch event will take place at MOTTO BERLIN and will showcase nearly 50 brand new KHE produced zines by photograhers including : Chris Atwood, Chris Beale, Megan Cullen, Bill Daniel, Jason Roberts Dobrin, Nic Gauthier, Grant Hatfield, John Oliver Hodges, Michael Jang, Uri Korn, Nic Gauthier, Matt Kuebrich, Craig Mammano, Alex Martinez, Dennis Mcgrath, Oscar Mendoza, Mark Murrmann, Dave Potes, Ray Potes, Ted Pushinsky, Lele Saveri, Stefan Simikich, Andrea Sonnenberg, Brian David Stevens, David Uzzardi, Lisa Weiss, The Wormholes and many more.

http://hamburgereyes.com

2/
02-05.06.2011
Motto @ Internationales Fotobuch Festival. Kassel

http://2011.fotobookfestival.org/

For this occasion, Motto is proud to present FotoZine Nr.4 series published by 4478Zine. This set features Erik van der Weijde’s collaborations with Linus Bill, Takashi Homma, Erik Kessels, Paul Kooiker and Eric Tabuchi.

http://4478zine.com/

June 3, 2011

www.stock20.com

June 2, 2011

Image: Hye Rim Lee Strawberry Garden

GLASSTRESS 2011 Collateral Event
of the 54th International Art Exhibition
La Biennale di Venezia

GLASSTRESS 2011 Evento Collaterale
della 54. Esposizione Internazionale d’Arte
La Biennale di Venezia

conceived by / ideato da
Adriano Berengo

produced by / prodotto da
Venice Projects

curators / curatori
Lidewij Edelkoort, Peter Noever, Demetrio Paparoni
with the contribution of / con il contributo di
Bonnie Clearwater

dates / date
June 4th > November 27th 2011
4 giugno > 27 novembre 2011

venues / sedi
Istituto Veneto di Scienze Lettere ed Arti,
Palazzo Cavalli Franchetti, Campo Santo Stefano
2847, 30124 Venezia

Berengo Centre for Contemporary Art and Glass
Campiello della Pescheria
30141 Murano, Venezia

Wake Forest University
Casa Artum, Dorsoduro 699
30123 Venezia

opening hours / orario d’apertura
every day from 10.00 am to 6.00 pm
tutti i giorni dalle 10.00 alle 18.00

vernissage / vernissage
June 3rd, 2011 / 3 Giugno, 2011
11am – 1pm / dalle 11.00 alle 13.00
Berengo Centre for Contemporary Art
and Glass, Murano
6pm – 8pm / dalle 18.00 alle 20.00
Istituto Veneto di Scienze,
Lettere ed Arti-Palazzo Cavalli Franchetti, Venezia

site-specific indoor and
outdoor installations with /
installazioni site-specific
in interno ed esterno di
Kendell Geers, Zaha Hadid,
Magdalena Jetelova, Michael Kienzer,
Koen Vanmechelen, Erwin Wurm

curated by / a cura di
Peter Noever

site-specific indoor
installation with /
installazione site-specific
in interno di
Tony Oursler

curated by / a cura di
Demetrio Paparoni and Gianni Mercurio

special project / progetto speciale
Mike + Doug Starn

GLASSTRESS 2011 ARTISTS

ANTHON BEEKE
PIEKE BERGMANS
DOMENICO BIANCHI
ERNST BILLGREN
JOOST VAN BLEISWIJK
BARBARA BLOOM
MONICA BONVICINI
KIKI VAN EIJK
JAN FABRE
KENDELL GEERS
CHARLOTTE GYLLENHAMMAR
ZAHA HADID
PAULA HAYES
JAIME HAYON
YUICHI HIGASHIONNA
MAGDALENA JETELOVA
LIU JIANHUA
MICHAEL JOO
MARYA KAZOUN
KONSTANTIN KHUDYAKOV
MICHAEL KIENZER
MARTA KLONOWSKA
NAWA KOHEI
OLEG KULIK
HITOSHI KURIYAMA
HYE RIM LEE
TOMÁŠ LIBERTINY
ATELIER VAN LIESHOUT
LUKE JERRAM
MASSIMO LUNARDON
URS LUTHI
VIK MUNIZ
NABIL NAHAS
ATELIER TED NOTEN
TONY OURSLER
ANNE PEABODY
JAVIER PÉREZ
JAUME PLENSA
RECYCLE GROUP
ANTJE RIECK
ANTONIO RIELLO
BERNARDÌ ROIG
MARIA ROOSEN
URSULA VON RYDINGSVARD
ANDREA SALVADOR
JUDY SCHAECHTER
THOMAS SCHÜTTE
ANATOLY SHURAVLEV
KIKI SMITH
MIKE+DOUG STARN
TANJA SÆTER
PATRICIA URQUIOLA
KOEN VANMECHELEN
PHARRELL WILLIAMS
FRED WILSON
ERWIN WURM
SHI YONG
TOKUJIN YOSHIOKA
YUTAKA SONE
ZHANG HUAN
5.5 DESIGNERS

May 29, 2011

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PASSENGER POSITION

Reference Art Gallery is pleased to announce ‘Passenger Position’ a solo exhibition of work by Sam Ekwurtzel.  Opening reception Friday June 3rd, 7-11pm.  Exhibition runs through June 11th, gallery hours: Wed-Sat 2-6pm.

REFERENCE Art Gallery | 804-225-9007 | http://www.referenceartgallery.com | 216 E. Main St. | Richmond | VA | 23219

May 29, 2011

for more information click here

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May 27, 2011

May 26, 2011

“Concerned artists exhibit work to help ‘terror raid’ defendants”

More than 50 artists from around New Zealand will be exhibiting their work in Wellington at the start of next month to raise funds and public awareness for the arrestees of the 2007 October 15 “terror raids.” Exhibited works range from paintings, sculptures, and animation, to a reproduction of the assassination device police claim ‘terror raid’ arrestees planned to use – a catapult designed to launch a bus onto the head of former US president George Bush.

According to contributing artist and spokesperson Lance Ravenswood, the charges against the 18 arrestees of the October 15 raids are “just silly. Any sensible person should feel that the police and courts need a good telling-off about the way they’ve been behaving.” A number of prominent figures have also spoken out against the handling of the case, including civil rights lawyer Moana Jackson and Professor Jane Kelsey.

“Why have these people been denied a trial by jury? Why is there so much secrecy surrounding the legal proceedings? The police seem to be equating legitimate political and environmental activism with terrorism,” says Ravenswood.

Richard Meros, author of On the Conditions and Possibilities of Helen Clark Taking Me as Her Young Lover, will be exhibiting a piece in a similar tone, entitled Your Honour We Eat These Charges For Breakfast, featuring berry-soaked strips of the 2002 Terrorism Suppression Act (TSA).

“This muesli celebrates the afternoon the Solicitor General’s office struck down the use of the TSA against those arrested on October 15, 2007, reminding bowels and brains that the charges of terrorism were not even strong enough to be presented to a court” says Meros.

The exhibition will open at the Garrett Street exhibition space on Friday June 3rd at 4:30pm, followed by a screening of Errol Wright and Abi King-Jones’ documentary about the October 15th raids, “Operation 8: Deep in the Forest”. Viewing will continue over the weekend.

“We’re concerned about whether justice is being done here. Lots of people in the community have questions about this case – we want them to get together, experience some great art, and talk about what’s going on,” says Lance Ravenswood. “As artists, we want to do what we can to help 18 New Zealanders who are being punished, before the trial even takes place, by an immense financial burden in a drawn-out battle against extremely questionable charges. That’s why we’re donating our work, to raise funds to support the defendants and their families through the trial.”

The Concerned Citizens exhibition will feature work from up and coming as well as more established artists, including Peter Madden, Roger Morris, Bryce Galloway, Arlo Edwards, Kerry Ann Lee, and Tao Wells, creator of the controversial Beneficiary’s Office installation in 2010.

For more information about the exhibition, please visit www.concernedcitizens.co.nz

Contributing artists:

Tao Wells
Dick Whyte
Bryce Galloway
Robyn Kenealy
Roger Morris
Peter Madden
Kerry Ann Lee
Richard Meros
Campbell Kneale
Stephen Templer
Ellen Rodda
Jeff Henderson
Ryan Bennett
Hannah Salmon
Arlo Edwards
T.R.A.P.
Sam Ovens
Kim Gruschow
Richard Dennis Bartlett
David Alphabethead
Zachary Jordan Penney
Blake Dunlop
Carlos Patino
Jacob Carlson Sparrow
The Screamer
Tui Effie Harrington
Brendan Olphert
Fredd Marshall
Lance Ravenswood
Benjamin Michael Knight
James Quick
Hywel Thomas
Danny Dowling-Mitchell
Regan P Bailey
Rhydian Thomas
Ana McGowan
Georgie Brown
Rhiannon Beckett
Gene Van Der Zanden
Kelly Spencer
Ash Jones
Andy Macready
Tali Williams
Jon Coddington
Esther Lewis
Adam McCalley
Alex Meagher
Chloe Rose Purcell
Dominic Studer
Aidan Griffin
Louis Klein
Hayden Currie
Alex Mitcalfe-Wilson
Zaou Vaughan

Sebi Ruters

May 5, 2011

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WELLINGTON musicians are rallying support for 15 people arrested in the 2007 Urewera ‘terror raids’, who will now be tried by judge-alone, at the High Court in Auckland on May 30. Charges made under the Terrorist Supression Act were dropped in 2007, but firearms and organised criminal group charges remain. Last week, the Court of Appeal upheld Justice Helen Winkelman’s decision to deny the 15 a trial by jury.

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Local musicians, including members of Little Bushman, The Phoenix Foundation, Jessie James and the Outlaws, Fly My Pretties, Woolshed Sessions, Electric Wire Hustle, Trinity Roots and The Nudge, have signed a letter to Minister Simon Power and Attorney-General Chris Findlayson, calling for trial by jury.  “I am firm in my belief and understanding that the accused in this case are not terrorists, do not belong to a criminal gang, and do not, as the public has been lead to think, stash guns under their beds. Rather, this bunch consists of some of the most intelligent and respected people in New Zealand, who consistently stand up for human and animal rights, the environment and tino rangatiratanga,” says musician Jessie Moss.

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“The whole terrorist premise is just another example of how individuals’ basic rights are being undermined and disregarded in the name of national security,” says Rio Hemopo, of Trinity Roots. Publication of the reasons behind the judge-only decision is forbidden, so defendants and supporters can only speculate. “If, the Crown has a solid case to put forward, why will they not let a jury see it?” asks Moss. The right to trial by jury is not absolute, under section 361D of the Crimes Act, amended in 2008, a judge may order trial without jury in cases “that are likely to be long and complex”.

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Moss says: “This trial’s set to take 12 weeks. So many cases have gone beyond that, but were still tried in front of a jury.”

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In early 2007, well-known Wellington activist Valerie Morse released Against Freedom: The War on Terrorism in Everyday New Zealand Life, a book about what she saw as the role of government and media in the ‘war on terror’. Just months later, Morse was arrested in the raids.

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“At 5:45am, there was a swarm of police at my door. A woman detective told me that I would be charged with ‘participation in a terrorist group’. I almost laughed at the time because it was the most absurd thing I had ever heard. But they took us to court that afternoon, and refused to grant us bail. That is when it really hit home: we weren’t leaving anytime soon. Indeed, we went to solitary confinement at Arohata prison,” she says.

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Morse will be tried by judge-only, for both firearms and organised criminal group charges.

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“Trial by jury is one of the pillars of the Western legal system. It is one of the key differences between places like New Zealand and many dictatorial regimes. The resources of the State in pursuing a criminal prosecution are almost limitless, while for a person accused of a crime, their resources are very limited,” she says.
“The high public interest in the case means that a jury trial is the only valid option.”

May 5, 2011

April 26, 2011

After many months in the making, Che Chen is very pleased to announce the release of his Pulaski Wave (Violin Halo)/Newtown Creek Mirror Lag 7″ on Nick Hoffman’s illustrious Pilgrim Talk imprint.  The 7″ collects two pieces for violin, sine wave generators, and feedback/tape delay system that I recorded in November 2010.  For those of you who’ve heard the Futatsu No Nami (二つの波) cd-r he made for his Japanese tour, the two “songs” on this 7″ were the generative experiments leading up to those longer pieces.  For the last several years, Nick Hoffman, sound producer, improviser, label head, comic artist and generally busy man, has been issuing truly bizarre missives of mid-western American /Japanese cross-talk, mostly captured during his bi-annual jaunts between the undergrounds of Normal (and not-so-normal) Illinois and points further and further east.  As many a P.T. release will attest, he’s turned out some great sounds of an almost dizzying variety himself (and under an equally dizzying number of names…) , and these cassette tapes, records and lathe cuts always come packaged in his equally bizarre and impeccable design sensibility.  You can peruse the Pilgrim Talk catalog, as well as order releases by yours truly and others, if you feel so inclined, at: http://www.pilgrimtalk.com/Catalog.html It’s all worth a spin but I highly recommend Zarzutzki & Hoffman’s long player, “Psychophagi”, David Russel’s “Architecture” 7″ lathe, and anything bearing the charming moniker, “Back Magic”…
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Also, in a multi-directional celebration of sorts, Chen will be playing a solo set at SILENT BARN on April 27th, with the likes of Beijing-based sound artist, Yan Jun (http://www.yanjun.org/), DISCIPLINE (a new outfit featuring Rolyn Hu, of True Primes fame and Derek Maxwell of the Gamut). Also on the bill will will be PAK and the Weasel Walter Group.
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SILENT BARN
April 27th DOORS AT 8PM, SOUNDS AT 9, $7
915 Wyckoff Ave, Ridgewood, NY 11385 (L to Halsey, M to Myrtle-Wyckoff)
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Discipline (mems. true primes, the gamut)
Yan Jun (from beijing http://www.yanjun.org/)
Che Chen (http://www.myspace.com/cheandchen)
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ALWAYS ALL AGES
NO BYOB
BRING YOUR WELL BEHAVED PET

April 17, 2011

Being jobless has benefits

By Nigel Benson on Thu, 14 Apr 2011

Click photo to enlarge

WELLS_070411_Medium.JPG

WELLS_070411_Medium.JPG

Controversial beneficiary artist Tao Wells has unveiled his latest installation in Dunedin.

The work titled 6% forced unemployment. Fakes job competition. Stops wages rising protests the manipulating of unemployment by the Government.

“A minimum of 6% of the workforce are being forced to be unemployed. Unemployment is being manipulated to keep inflation down,” Wells (38) said.

The Wellington artist, who says he has been “off and on” the unemployment benefit since 1997, promotes the lifestyle of unemployment and challenges the perception long-term beneficiaries are opportunists who exploit the welfare system.

His previous projects include a “Beneficiaries’ Office” in Wellington, which advocated the virtues of being unemployed and encouraged people to abandon their jobs, rather than “suffering eight hours a day of slavery”.

The project was heavily criticised by former minister of finance Roger Douglas and led to Creative New Zealand being forced to defend a $3500 grant for the performance.

Work and Income cut off his benefit when it learned of the controversy.

However, Wells remains unrepentant and has recently trained as a benefit rights volunteer.

“We need to work less, so we consume less. The average carbon footprint of the unemployed person is about half that of those earning over $100,000,” he said.

“We should never be forced to take a job. If you’re forced to take a job it’s a punishment.”

April 14, 2011

Guðmundur Steinn Gunnarsson
Horpma
Carrier Records

Release Date: May 10th, 2011
Price: $12 for CD’s, $5 to download
Website: www.carrierrecords.com

Horpma, by Icelandic composer Guðmundur Steinn Gunnarsson, is a pair of two pieces for 27 plucked and hammered string instruments, which together fuse into an imaginary 54 string instrument (one string for every bead of the rosary). Each string of this meta-instrument is tuned according to just intonation, with an emphasis on narrow––or smaller than normal––intervals.

A new rhythmic ideal is the foundation of this music. The rhythms are not conceived or communicated through a traditional grid structure. Instead, Guðmundur has created epistemic tools to work with rhythm that reflect traditional Icelandic prosody. This principle of rhythm does not fit neatly into standard notation. Instead, the performers follow highly specific instructions that flow across a computer screen. To be able to execute such a score in real-time, Gunnarsson sought out performers from various musical discourses, each of which has in the past proven to be highly capable of embracing new ways of performing such as improvisation veterans Charity Chan and Kanoko Nishi, and Múm guitarist Róbert Reynisson.

To quote the composer: “By intently focusing on small differences, both in rhythm and pitch, the ear gets tuned to a microscopic mode of listening. When things then open up, a new sense of variety is gained.”

The recordings were made over a period of time in CCM in Oakland, California and at the Swimming Pool in Iceland.

April 14, 2011

NewIdeas MusicSeries 8
Sunday 4.17.11
9PM @ Pianos
(158 Ludlow / Stanton)

Mario Diaz de León

David Galbraith

M.V. Waller – HIGHLAND (for the afterlife)
for bagpipe duo + tape
with:
Matthew Welch
David Watson

Wolfgang Gil + Alfredo Marin

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HIGHLAND (for the afterlife) is a new composition written for Matthew Welch and David Watson: a bagpipe duo in Just-Intonation Mixolydian. The exploration of specific tunings and spectral phenomenon actualize the process of expanding and collapsing harmonic space. The resonant harmonics are layered in an “out-of-sync multiplicity” as the enveloping rhizomic-form magnifies the superimposed partials and sonic experience.