August 16, 2011

Kasia Fudakowski
SMILE

Opening Reception: September 9, 2011 – 7 pm
Performance: September 9, 2011 – 8 pm
September 9 – October 15, 2011

Chert is proud to present the first solo exhibition within the gallery context of Berlin based artist Kasia Fudakowski.

‘The hinge is like a crazy form of violence. All that two and fro, relentless back and forth but going nowhere. Sex and not having it. And relentlessly those tiny ball bearings just squeeze repeatedly over around one another, a rolling, lolling gorgeousness of grease and motion. Precise fluidity or fluid precision; cheek to cheek. Sweating, oozing and never drying up. Just wearing down. This body has an additional limb, it is spare, extra, on its own and therefore poor – a poor prop. Out on a limb, we would say. Or it’s a wobbly moustache and the potential for tweaking and eeking out begins again…’
Helen Marten. 2011

The works on display are linked to the ‘routine’ that Fudakowski will perform in the space at the opening of the exhibition. This performance is envisaged as a kind of ‘turning on’ of the exhibition, much in the vain of celebrity inaugurations of light displays at Christmas, as much of the work must be manipulated by the artist in order to be activated. The hinge is a major theme running through the work. The potential movement embodied in this mechanism as well as the inherent violence in the infinite swing allows Fudakowski to tread the shaky line between kinetic and static sculpture.

Her work has always had a latent humour to it. For the past year Fudakowski has been preoccupied with the philosophy of comedy and joke structure and it’s potential relationship to the construction of sculpture. Her work mixes abstract with figurative, using found and raw materials combined in constructions, which often serve to surprise and titillate with their mild poking irreverence.

With this exhibition, Fudakowski will draw on the performative techniques of entertainers in an attempt to question the predetermined assumptions and closed circles that exist within artistic interpretation.

Kasia Fudakowski (1985) studied at the Ruskin School of Drawing and Fine Art at Oxford University, England. She presented her first solo show at Zak Branicka, Berlin in 2009 and recently exhibited at “Based in Berlin”, Atelierhaus Monbijoupark. Her work is currently on view in the group exhibition “Sculpture is three-dimensional artwork created by shaping or combining hard materials …” at Johann König gallery, Berlin, which runs until August 27. Later this year, she will participate in “Villa Tokyo”, with Chert gallery and “Comedy Club, Säule für Afrika”, curated by Micha Bonk, in Curvystrasse, Berlin. Kasia Fudakowsi lives and works in Berlin.

www.chert-berlin.com

August 15, 2011

//Adam Art Gallery and Altmusic are proud to present
a performance by Hildur Guðnadóttir

with Nether Dawn and Seth Frightening

Saturday 20 August 2011, 8pm
Adam Art Gallery
Gate 3, Kelburn Parade
$10 on the door

Hildur Ingveldardóttir Guðnadóttir (b. 1982) is a cellist and composer based in Iceland. Best known for her collaborations with múm and guest appearances with Pan Sonic, she has a rich catalogue of collaborations and varied projects behind her, the most recent being the critically acclaimed album Mount A (Touch 2010).

“Her themes and melodies are simple, rarely more than a few bars, but the way she overlaps and combines them or pits them against long held tones, gives her music a tension between restless activity and quiet stasis, as well as an intuitive, almost improvised feel” – Dusted magazine.

Guðnadóttir explores the nature and movement of sound, and often turns her experiments into sound and visual installations. She recently co-composed a live soundtrack to Derek Jarman’s 1980 film In The Shadow of The Sun with legends Throbbing Gristle in Austria and London. Guðnadóttir is also a member of Storsveit Nix Noltes (The Nix Noltes Big Band); a rotating cast of Icelanders playing traditional Bulgarian and Greek dance music. The group has toured the United States twice supporting Animal Collective.

Guðnadóttir has collaborated, played and recorded with other artists such as Skúli Sverrisson, Hilmar Jensson, Hafler trio, Jóhann Jóhannsson, Nico Muhly, Valgeir Sigurðsson, Angel, SchneiderTM, Ben Frost and Stilluppsteypa. As a composer she has written music for plays, dance performances and films, pieces for chamber orchestras, various instruments, voices and electronics.

Altmusic is a programme administered by the Audio Foundation.
Thank you to the New Zealand School of Music.


Adam Art Gallery
Victoria University of Wellington
Gate 3, Kelburn Parade
PO Box 600
Wellington 6140
New Zealand
ph +64 4 4635229
fax +64 4 4635024
www.adamartgallery.org.nz

August 11, 2011

SPECTRUM OF ACTIVITY

15 / 8 – 17 / 9

TIM ACHESON
MIRANDA BLENNERHASSETT
NIAMH CLARKE
ADHAM FARAMAWY
ADAM FEARON
JOHN GAYER
ANDREW MANSON
EOIN MAC LOCHLAINN
DONOUGH MC NAMARA
NIALL MOORE
MEADHBH O’ CONNOR
BLAINE O’ DONNELL
VICKY SMITH

CURATED BY PADRAIC E MOORE




PREVIEW – SAT AUG 13 / 7PM


THE BLACK MARIAH

2ND FLOOR
TRISKEL
TOBIN STREET
CORK
IRELAND

WWW.THEBLACKMARIAH.COM

August 8, 2011

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Not quite ‘magazine’ and not quite ‘academic journal’, The National Grid attempts to chart a path through the murky wasteland between the professional practice of graphic design and its troublesome academic manifestations. The National Grid was first published in March 2006. It is edited and designed by Luke Wood and Jonty Valentine. It is independently published in New Zealand, and is distributed internationally. The National Grid receives funding from Creative New Zealand.

In The National Grid #7 we acknowledge our responsibility for maintaining a civil defence for graphic design. We endeavour to reassure all members by providing a safe gathering point for assessing significant design related historical incidents. Episodes documented in this issue include: the Prosecution of Trespassers by Luke Wood, Some Notes on Dots and Their Reception by David Bennewith, a Report on Publishing by Jonty Valentine, a southern Orientation by Tim J. Veling and Jessica Halliday, the best of Best Wishes from Tracey Williams & Taarati Taiaroa, as well as a research outcome sell-off by Dane Mitchell

www.thenationalgrid.co.nz

August 6, 2011

NewIdeas MusicSeries XII
FREE

Aki Onda (10:00 PM)
solo tape/electronics

David First + Michael Vincent Waller (9:00 PM)
sine tone/guitar duo

Doron Sadja (8:00 PM)
solo electronics

158 Ludlow Street
@ Pianos
Main Showroom

July 22, 2011

Olaf Breuning, Emmanuelle 2009

Magic For Beginners
Bas Jan Ader, Olaf Breuning
Jennifer Cohen, Scott Hug
Kevin Lips, Niall McClelland,
Jesse McLean, Kristie Muller
Rbt. Sps., Brent Stewart
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Curated by Jamie Sterns and Joseph Whitt
July 28 – August 26, 2011
Opening Reception: Thursday, July 28, 6-8pm
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Historically, the formulas of Modernism have lent themselves to the imposition of structures on nature.   Utilizing an economy of means, or a paring down of form, some artists have drawn attention to the processes and materials that they employ in order to comment on limitations inherent in human observation and experience.  The impossibility of this search for certainty is prescient in a world rife with unforeseen technological advances and consequences.  From Kurzweilian “singularities” to the embrace of dystopic or parallel hyper-realities, many artists today use Modernist tropes to draft odes to possible futures.
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In the face of such infinitely malleable destinies, the ten artists selected for this exhibition remain undaunted. In bold, minimal and idiosyncratic terms, they propose new, decidedly un-grandiose, vernaculars through various mediums such as video, photography, and sculpture. Their works concern themselves with an intensely personal present tense, with lives lived and documented in real time. These works are inward, solipsistic, and in some instances, similar to an occult experience or an exercise in ritualized revelation. The art object is often left over from actions performed in service of an impossible quest, or crafted in playful celebration of it. These artists seem to exist in cultural peripheries, lobbing ruminations out of left fields, revealing epistemological truths—truths that have little or nothing to do with changing the world.

Exhibiting artists: Bas Jan Ader (born Winschoten, the Netherlands, 1942, lost at sea, 1975; artist’s estate represented by Patrick Painter Gallery, Los Angeles); Olaf Breuning (lives and works in New York City; represented by Metro Pictures, New York); Jennifer Cohen (lives and works in New York City; represented by Salon 94, New York); Scott Hug (lives and works in New York City); Kevin Lips (lives and works in New York City); Niall McClelland (lives and works in Toronto, Canada); Jesse McLean (lives and works in Chicago, Illinois); Kristie Muller (lives and works in Toronto, Canada); Rbt. Sps. (lives and works in Murray, Kentucky); Brent Stewart (lives and works in Nashville, Tennessee)

July 17, 2011


FUKT Magazine for contemporary drawing #10

Saturday 16.07.2011: Launch @ Based in Berlin – Motto/Pro qm, Atelierhaus Monbijoupark

Start 7pm

The annual Berlin-based magazine was founded 1999 in Trondheim, Norway and focuses on drawing as an independent research and artistic practice. FUKT intends to uncover the potential forces of a medium such as drawing and its possibility to reach innumerable conceptual and expressive directions. The Norwegian/Swedish artist Björn Hegardt is the founder and editor of the magazine.
FUKT is an international magazine, inviting the most interesting artists and writers to present their views on contemporary drawing. The 10th issue of the magazine comprises works of 20 artists from 11 countries, as well as essays and interviews by 6 invited authors and curators.
Fukt is in constant transformation with all issues in different size and layout, made by the designer Ariane Spanier.

Find out more at: www.fukt.de | www.bjornhegardt.com | www.arianespanier.com |

FUKT #10
Contributors:

Adam Dant, Nanne Meyer, D-L Alvarez, Monika Grzymala, Steven Ketchum, Ralf Ziervogel, Kay Arne Kirkebø, Michael Schall, Björn Hegardt, Ola Åstrand, Rinus Van de Velde, Daniel Zeller, Tegneklubben, Yehudit Sasportas
Ane Graff (invited by Erlend Hammer) Daniel Nadaud (invited by Roven) Joan Linder (invited by Charmaine Wheatley) Astrid Köppe (invited by Christoph Tannert) Brendan Fernandes (invited by Elisabeth Byre) Motoko Dobashi (invited by Dina Renninger)

Essay by Erlend Hammer
Design by Ariane Spanier www.arianespanier.com
Design assistant: Maria Nogueira
Editor: Bjön Hegardt

www.fukt.de

07.06-24.07.2011
Pro qm/Motto @ Based in Berlin
Atelierhaus Monbijoupark
Oranienburger Str. 77
10178 Berlin
Open daily from 12-9pm

July 11, 2011

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Tuesday 12 July
Larry’s/Petunia/mono.kultur triple launch @ Based in Berlin
start 7 pm
(+Djs)

Larry’s se7en

with: Dena Yago, Morag Keil, Michele Di Menna, Natascha Goldenberg, Martin Thacker, Alex Turgeon, Nicolas Ceccaldi, Maxwell Simmer, Carson Chan, Heji Shin, Daytona Bleach, Mathieu Malouf, Juliette Bonneviot, Dan Bodan, Kayla Guthrie, Valentina Liernur

http://larrys.eu/

PETUNIA #3

with: Katarina Burin, Frances Stark, Laetitia Paviani, Lina Viste Gronli, Nana Oforiatta Ayim, Géraldine Gourbe, Dorothée Dupuis, Emmanuelle Lainé, Clara Meister, Kitty Kraus, Lili Reynaud Dewar, Kathy Acker, Fiona Jardine, bell hooks, Mathieu Kleyebe Abonnenc, Sisters of Jam, Spartacus Chetwynd, Elizabeth Diller.

http://petunia.eu/

mono.kultur #27

Ryan McGinley: Daydreaming
“I love the idea of the unexpected.”

http://www.mono-kultur.com/

07.06-24.07.2011
Pro qm/Motto @ Based in Berlin
Atelierhaus Monbijoupark
Oranienburger Str. 77
10178 Berlin
Open daily from 12-9pm

June 17, 2011

NewIdeas MusicSeries X
Sunday June 19th, 2011 / 7PM
158 Ludlow Street @ Pianos
Free

Phill Niblock
solo music + films
8:15 PM

Michael Vincent Waller
performing:
7:20 PM

Late Winter (2009)
for overtone-percussion duo
w. Grady Gerbracht
circa 16 mins

Dryb (2011)
for tenor sax + tape
w. Sabir Mateen
circa 12 mins

Rumble (2011)
for guitar duo + tape
w. James Ross
circa 12 mins

Early 7PM in Main Showroom downstairs
Concert will start on time and end by 9:15pm

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Phill Niblock is a New York-based minimalist composer and multi-media
musician and director of Experimental Intermedia, a foundation born in
the flames of 1968′s barricade-hopping. He has been a maverick
presence on the fringes of the avant garde ever since. In the history
books Niblock is the forgotten Minimalist. That’s as maybe: no one
ever said the history books were infallible anyway.

His influence has had more impact on younger composers such as Susan
Stenger, Lois V Vierk, David First, and Glenn Branca. He’s even worked
with Sonic Youth’s Thurston Moore and Lee Renaldo on “Guitar two, for
four” which is actually for five guitarists. This is Minimalism in the
classic sense of the word, if that makes sense. Niblock constructs big
24-track digitally-processed monolithic microtonal drones. The result
is sound without melody or rhythm. Movement is slow, geologically
slow. Changes are almost imperceptible, and his music has a tendency
of creeping up on you. The vocal pieces are like some of Ligeti’s
choral works, but a little more phased. And this isn’t choral work. “A
Y U (as yet untitled)” is sampled from just one voice, the baritone
Thomas Buckner. The results are pitch shifted and processed intense
drones, one live and one studio edited. Unlike Ligeti, this isn’t just
for voice or hurdy gurdy. Like Stockhausen’s electronic pieces,
Musique Concrete, or even Fripp and Eno’s No Pussyfooting, the role of
the producer/composer in “Hurdy Hurry” and “A Y U” is just as
important as the role of the performer. He says: “What I am doing with
my music is to produce something without rhythm or melody, by using
many microtones that cause movements very, very slowly.” The stills in
the booklet are from slides taken in China, while Niblock was making
films which are painstaking studies of manual labour, giving a poetic
dignity to sheer gruelling slog of fishermen at work, rice-planters,
log-splitters, water-hole dredgers and other back-breaking toilers.
Since 1968 Phill has also put on over 1000 concerts in his loft space,
including Ryoji Ikeda, Zbigniew Karkowski, Jim O’Rourke.

http://phillniblock.com/

Michael Vincent Waller is a New York City based composer and visual
artist, studying composition and performance with La Monte Young and
Marian Zazeela. This has provided a beautiful inspiration to a focus
on modal, drone, and electronic means. The deep intrinsic experience
of involving overtones is the essence of his canvas of acousmatique
and spectral composition. Michael endorses the phenomenologist
approach to sound as his “central attitude” and manual for being. His
music has been performed by Sean G. Meehan, Tom Chiu, Matthew Welch,
David Watson, Alex Waterman, Ha-Yang Kim, St. Luke’s Trombone Quartet,
Cadillac Moon Ensemble, Daniel Panner, Yvonne Troxler, Gregor Kitzis,
Sabir Mateen, Christine Bard, Erica Dicker, Michael Seltzer, Benjamin
Herrington, Elizabeth Hoffman, Tucker Dulin and Andrew Lafkas – at
venues ISSUE Project Room, Diapason Sound Gallery, Tenri Cultural
Institute, Paris London West Nile, Port d’ Or, Glasslands, and The
Living Theatre.

http://www.michaelvincentwaller.com/

June 4, 2011

Image: Hye Rim Lee Suck My Tit

June 4, 2011

1/
03.06.2011
Start: 18.00
King Hamburger Eyes – Launch at Motto Berlin

After multiple journeys excavating the mysteries of the universe, Hamburger Eyes (HE) looks to explore even further. Building on a history of independence and collaboration through mind altering magazines and exhibitions, HE is pleased to introduce the newest chapter to accommodate even more publishing needs: King Hamburger Eyes (KHE).
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This new exploration will regularly publish limited edition zines, magazines, prints, and books by featured photographers.

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The official launch event will take place at MOTTO BERLIN and will showcase nearly 50 brand new KHE produced zines by photograhers including : Chris Atwood, Chris Beale, Megan Cullen, Bill Daniel, Jason Roberts Dobrin, Nic Gauthier, Grant Hatfield, John Oliver Hodges, Michael Jang, Uri Korn, Nic Gauthier, Matt Kuebrich, Craig Mammano, Alex Martinez, Dennis Mcgrath, Oscar Mendoza, Mark Murrmann, Dave Potes, Ray Potes, Ted Pushinsky, Lele Saveri, Stefan Simikich, Andrea Sonnenberg, Brian David Stevens, David Uzzardi, Lisa Weiss, The Wormholes and many more.

http://hamburgereyes.com

2/
02-05.06.2011
Motto @ Internationales Fotobuch Festival. Kassel

http://2011.fotobookfestival.org/

For this occasion, Motto is proud to present FotoZine Nr.4 series published by 4478Zine. This set features Erik van der Weijde’s collaborations with Linus Bill, Takashi Homma, Erik Kessels, Paul Kooiker and Eric Tabuchi.

http://4478zine.com/

June 3, 2011

www.stock20.com

June 2, 2011

Image: Hye Rim Lee Strawberry Garden

GLASSTRESS 2011 Collateral Event
of the 54th International Art Exhibition
La Biennale di Venezia

GLASSTRESS 2011 Evento Collaterale
della 54. Esposizione Internazionale d’Arte
La Biennale di Venezia

conceived by / ideato da
Adriano Berengo

produced by / prodotto da
Venice Projects

curators / curatori
Lidewij Edelkoort, Peter Noever, Demetrio Paparoni
with the contribution of / con il contributo di
Bonnie Clearwater

dates / date
June 4th > November 27th 2011
4 giugno > 27 novembre 2011

venues / sedi
Istituto Veneto di Scienze Lettere ed Arti,
Palazzo Cavalli Franchetti, Campo Santo Stefano
2847, 30124 Venezia

Berengo Centre for Contemporary Art and Glass
Campiello della Pescheria
30141 Murano, Venezia

Wake Forest University
Casa Artum, Dorsoduro 699
30123 Venezia

opening hours / orario d’apertura
every day from 10.00 am to 6.00 pm
tutti i giorni dalle 10.00 alle 18.00

vernissage / vernissage
June 3rd, 2011 / 3 Giugno, 2011
11am – 1pm / dalle 11.00 alle 13.00
Berengo Centre for Contemporary Art
and Glass, Murano
6pm – 8pm / dalle 18.00 alle 20.00
Istituto Veneto di Scienze,
Lettere ed Arti-Palazzo Cavalli Franchetti, Venezia

site-specific indoor and
outdoor installations with /
installazioni site-specific
in interno ed esterno di
Kendell Geers, Zaha Hadid,
Magdalena Jetelova, Michael Kienzer,
Koen Vanmechelen, Erwin Wurm

curated by / a cura di
Peter Noever

site-specific indoor
installation with /
installazione site-specific
in interno di
Tony Oursler

curated by / a cura di
Demetrio Paparoni and Gianni Mercurio

special project / progetto speciale
Mike + Doug Starn

GLASSTRESS 2011 ARTISTS

ANTHON BEEKE
PIEKE BERGMANS
DOMENICO BIANCHI
ERNST BILLGREN
JOOST VAN BLEISWIJK
BARBARA BLOOM
MONICA BONVICINI
KIKI VAN EIJK
JAN FABRE
KENDELL GEERS
CHARLOTTE GYLLENHAMMAR
ZAHA HADID
PAULA HAYES
JAIME HAYON
YUICHI HIGASHIONNA
MAGDALENA JETELOVA
LIU JIANHUA
MICHAEL JOO
MARYA KAZOUN
KONSTANTIN KHUDYAKOV
MICHAEL KIENZER
MARTA KLONOWSKA
NAWA KOHEI
OLEG KULIK
HITOSHI KURIYAMA
HYE RIM LEE
TOMÁŠ LIBERTINY
ATELIER VAN LIESHOUT
LUKE JERRAM
MASSIMO LUNARDON
URS LUTHI
VIK MUNIZ
NABIL NAHAS
ATELIER TED NOTEN
TONY OURSLER
ANNE PEABODY
JAVIER PÉREZ
JAUME PLENSA
RECYCLE GROUP
ANTJE RIECK
ANTONIO RIELLO
BERNARDÌ ROIG
MARIA ROOSEN
URSULA VON RYDINGSVARD
ANDREA SALVADOR
JUDY SCHAECHTER
THOMAS SCHÜTTE
ANATOLY SHURAVLEV
KIKI SMITH
MIKE+DOUG STARN
TANJA SÆTER
PATRICIA URQUIOLA
KOEN VANMECHELEN
PHARRELL WILLIAMS
FRED WILSON
ERWIN WURM
SHI YONG
TOKUJIN YOSHIOKA
YUTAKA SONE
ZHANG HUAN
5.5 DESIGNERS

May 29, 2011

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PASSENGER POSITION

Reference Art Gallery is pleased to announce ‘Passenger Position’ a solo exhibition of work by Sam Ekwurtzel.  Opening reception Friday June 3rd, 7-11pm.  Exhibition runs through June 11th, gallery hours: Wed-Sat 2-6pm.

REFERENCE Art Gallery | 804-225-9007 | http://www.referenceartgallery.com | 216 E. Main St. | Richmond | VA | 23219

May 29, 2011

for more information click here

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May 27, 2011